Penultimate day and one or two views in point

Today I will graduate from Oranim 31.

I will stay in Tel Aviv until 21 July...one more month. The last month and a half have been so hectic and deeply rewarding. Things are slow whilst they move so fast in the lesser-known dark side of Israeli fringe theatre. There is a snobbishness to penetrate which rather than leaving you dogged refreshes the power and enforces the faith of those who believe and want shows to keep on happening in the Tahana Merkazit.

The last fortnight has been focused on the "big" (for me, for us) application to British Israeli Arts for She London. So much time and thought yet not enough not enough not enough. Who thought I could care about anything so much and articulate it? The vision is to work with 5 British-based and 3-Israel-based performers in a She event in North London, focusing on furthering both professionals' knowledge, creative thought and overall peripheral awareness on a collaborative British-Israeli platform. Dorit and I would work together to shape the space, the performers' group masterclasses and individual processes, and coordinate a one-off performance in March to commemorate the centenary of International Women's Day. Oh G-d I really really really really really really hope we get it.

Dad came back to Israel for a week...the poor thing was so exhausted and poorly with a chest infection from working so hard and round-the-clock with so many people in so many places. Through our conversations I learn so much every time. I am more open to learning from others here, even those I have known all my life. We saw at the Karov together Hotel Europe and Alef Alef: A Silent Woman - a previously unknown and favourite for me respectively. To watch show in Ivrit now is amazing. I can still understand maybe just 20% but to be familiar with the tone, text and purpose of the plays makes every viewing exciting in its own way.

As the Karov's new intern Rachel embarks on her 5-month journey here and we look for new opportunities internationally, I am reminded of how new the concept of site-specific, barely-budgeted fringe is in Israel. When I talk to other theatre professionals here about my work for Nico, collaborations with Dorit and the general purpose of the Karov, they often look down on it, don't understand it, don't engage. But slowly, slowly, slowly, with much time, energy and effort we will continue the change. The UK, USA, Europe and their various perspectives and developments are essential to help this little corner of Israel where theatre is concerned. July will be focused for me on making those relevant links.

Please continue following my journey here. If there is any way you can help at all, even just through your comments, suggestions and especially shared experiences of the Karov, I always want to hear from you.

With love.

Until tomorrow x

She 2010...First coverage and mucho excitimondo

Well, we have been invited to the Lik Festival by Grigory Kofman (the nice Russian director from the bench in Kiryat Motzkin). Liron and Linor spoke to Nico to propose the task of adapting and directing Chekhov's Spirit Of The Forest for 7 actors, 1 and a half hours and, er, a forest. Nico is in Romania and says that they are all too nice to him there and it is unnatural. In celebration we opened a pleasant bottle of wine and created a bar-type arrangement in the corridor.

Last week Linor took some lovely pictures of Dorit and me for the She Festival (see Woman In the Wall for more on my piece). Some very exciting contortions occurred, many of them involving a ladder.

Our first mention of the year on ynet can be found here. In a brief translation/summary, The Karov Theatre will present a variety of female performers through various media including participants from Berlin and London. Watch this space as The Woman In The Wall grows within various Karov corners. Briut xx